Lolo (Buenos Aires) and Sosaku (Tokyo) investigate the possibilities of sculpture as an expanded field. The nexus that unites his works is the search for an object in contact with his surroundings and with the spectator. An object that seeks friction, friction, and tension. His work moves between different languages such as sculpture, installation, kinetic art and painting. Its modus operandi: to constitute itself as a subject, and from its machinic materiality, to point to transcendence, to mysticism and to the unknown.