Random Things by Marc Urtasun
Digital artist from Barcelona, Marc Urtasun, shares his epic skills in creating amazing visuals for personal and commercial use. Sometimes he goes beyond 3D and creates small printed sculptures
Digital artist from Barcelona, Marc Urtasun, shares his epic skills in creating amazing visuals for personal and commercial use. Sometimes he goes beyond 3D and creates small printed sculptures
Beautifully executed title animation directed by Leonardo Fleuri and Luciana Jordão with production by Koi Factory
«l am» project by Radugadesign studio became the part of «Motion response selection» for Pause Fest 2020.
WOOT Creative realised an epic project mapping on the wall of club Chroma on Paradise City island near Seoul dubbed as the biggest club in the world
A collaborative production between Feed Me Light and Blinkink, directors BRVTVS create a gritty, graphic world that imparts a funky new edge to creative director Jamie Hewlett’s beloved characters. With a unique approach to infusing 2D and 3D animation techniques with illustration and photography, BRVTVS lend their individual aesthetic to the most iconic virtual band in history.
Everyday we exist in the boundaries : work, family, dreams or free time that we have to live for our life. Are there any "Frames" and can we break through?
Director/Concept - Lado Kvataniya
Starring - Sergei Polunin
Music Composer - Kirill Richter
In a colorful and nostalgic generational coming of age story created for Ciclope Festival, Le Cube pays homage to the kids that grew up to shape our current artistic and creative worlds.
HONDA commissioned Noelia’s Lozano studio to create some papercrafts animated sets for their Summer Special campaign. “All based on the first time doing something with your Honda Car, in this case we had the task to focus on the new Honda Civic shiny red car. So all the compositions and stories move around this baby hero.” - shares Noelia on Behance
““For “Let there Be”, Max asked me to think about the two key words “infinite” and “birth of humanity”. Everything came naturally to this process I was working on, involving two types of liquids blending in forever, progressively. I choose to represent the light of Kabbalah that Max once told me about, blending a very luminous and pearly white with a very dark black. Once I had a satisfying shot, I added with Max a variety of neolithic paintings and illustrations spreading out from the center where the lights were coming from.”
“I wanted to start the project with the earliest visual example of the infinite I could find reference to - the bright white light of Kabbalah. The magician of liquid systems, Thomas Vanz told me he had a new secret recipe which could deliver what I needed, so I set about scoring to this idea based around what I know of Thomas’ work. The whole project functioned in this way, starting with my written descriptions of each chapter, then finding a visual artist to carry out that side of things, while in parallel I scored the music to the imagined final result. At some point down the line the first visual and musical sketches arrived and things could be refined at each end to marry the music and visual together seamlessly.
The music for this chapter needed something with a feeling of grandeur and space, mysteriousness and mysticism. It all came down to some really sparse drawn out chords and plenty of different layers of saturation with pedals (plenty of Metasonix F1, Moogerfooger overdrive, Industrialelctric RM1N, Fairfield Circuitry Meet Maude, WMD Geiger Counter), with smatterings of more distorted hits running through a heavy (Big Sky) plate reverb to punctuate the scale even more.
Visually, we complemented Thomas’ growing light animation with ancient cave painting imagery in order to tie the visual abstraction to the human story, and the birth of our yearning for the infinite.
For the live show I use two layers of screens to first show the structure hovering in front of stage, then to slowly reveal the rear backlit screen and my position between them, as a means of slowly adding a 3-dimensional depth effect as the music and visual peaks.”
The most titled graphic artist of Designcollector - Ruslan Khasanov is totally unstoppable when it comes to experiment with colour, forms and textures. “Destroying Rainbow Books” video is a continuation of Ruslan’s experiments with old-school Compact Disc - or simply Disctortion.
The Guardian is a free interpretation of the parable "Before the Law" from Kafka's book "The Trial". A peasant after traveling the world arrives in front of a gate, controlled by a fearsome Guardian. The peasant tries to pass through but the Guardian denies him entrance. Peasant and Guardian are the same character, the peasant, like each one of us, in front of his own fear; the guardian, something shapeless, that surround and control him. The Door/Gate the possibilities we encounter during our life.
Zhang wanted to be a classical oil painter and Knight wanted to be an opera singer. Now they make beautiful films.
Directors: Zhang + Knight
Producer: Luke Tierney
Production Company: @friend_london
The way to the top is long and arduous. Most give up early, others are forced to retreat later. Only the best hold out to the end and overcome all obstacles.
The cineastic homage to the power of will shows in a spectacular way how the exceptional athlete fights his weaker self, defies all injuries and adversities and fights until he finally arrives at his destination: at the start of the most demanding downhills in the world.
Written & Directed by Fabian Weber
Cinematography by Jan Mettler
“A Mach unit characterizes flight speed compared to the speed of sound. We use the Mach unit to characterize our graphics.”
Each year OFFF raises bar in creativity. Each year they release tons of endorphins in different locations around the world. This time the destination was Kyiv, Ukraine and with some epic talks and amazing team behind the festival they delivered an amazing visual experience created by Eugene Pylinsky (@pylik) & Eugene Lekh (@e_lekh)
DISCO is a short film from South African casting agency, DISCO, showcasing in a superb way, what’s happening in the strange and wonderful world of casting direction…
“In casting, our world is a theatre of the unseen. We live behind the curtain. This is a celebration of the casting arena in all of its intimate awkwardness, secrecy and flashes of flamboyance, where we delight in the unruliness of human beings.
As casting directors we present a fantasy version of how a story can be told. For the film, we stepped into that fantasy by reimagining and reenacting the jobs we’ve been asked to cast on. We dreamt up the roles these characters would go on to play in our ideal world. It was about casting ourselves as the audience, letting go and learning about who we are. The films show us how we see the world.
Good casting direction is presenting the unexpected and making it work. A lot of the magic of our trade is conjured by happy accidents, surprises and mischief. The imperfections, the intimate off-screen moments before and between a session, the mistakes and blemishes – these are the things that enliven our work.”
Hidden is a triptych video installation created by DBLG that merges the world of fashion, music and visual art. Inspired by the debut couture collection of fashion designer Vincent Lapp, who won Nick Knight’s SHOWStudio Fashion Film Award, explores the connection between form and elemental forces, taking the viewer on an arresting visual journey.
To mark the start of London Fashion week 2019 the film has been designed to be shown simultaneously across three huge portrait screens immersing the audience in coloured light and surround sound.
Music for the film is composed by experimental choral trio Blood Moon Project. Approaching the film in chapters they interpreted each of the garments graphic language as instrumentation blending synths, salvaged church organs and percussion.
The Art of Design returns to take you beyond blueprints into the art, science, and philosophy of design. From how we see the world to how we impact the world, the series goes inside the minds of the world’s greatest designers, showcasing the most inspiring visionaries from a variety of disciplines whose work shapes our culture and future. Watch it on @Netflix
Embark on a visionary journey through the fragmented unconscious of our modern times, and with courage face the Shadow. Through Shadow into Light.
'IN-SHADOW' is an entirely independently funded, not-for-profit film