“My paintings incorporate elements of both fiction and reality, and are brought to fruition through a varied means of production. I draw from a pool of collected images that are then digitally edited, and serve as a starting point for a process-based practice.
The paintings lend themselves to a simulation of reality, presenting a hyperreal aesthetic that is heightened by the screen-like finish of the work. Perspectival planes are shifted, flattened or extended, warping the notion of depth within the image, presenting a simultaneous distancing and magnification that offers multiple readings of the work. Although the aesthetic of the work suggests a digitally mediated experience of the urban environment, broken and dripped paint ground the work in a more traditional notion of materiality.”
