“Éramos Seis” Opening Title
Beautifully executed title animation directed by Leonardo Fleuri and Luciana Jordão with production by Koi Factory
Beautifully executed title animation directed by Leonardo Fleuri and Luciana Jordão with production by Koi Factory
Fashion photographer Elizaveta Porodina was commissioned by Vogue to create the cover story for their branch magazine Vogue Arabia featuring the look from Zuhair Murad Couture Fall-Winter 2019-20 collection @zuhairmuradofficial
A future-focused studio Pitch from Australia focuses on creating stories and experiences for brands, agencies and cultural institutions. Their recent works include special AR lenses for Snapchat Spectacles , collaboration with post-internet artist and Gucci creator John Yuyi and other clients ready for digital transformations
After graduating from School for Fashion in Munich, Constantin went on to work for the leading publishing company Condé Nast in Paris, where he supported the VOGUE, GLAMOUR and MYSELF fashion editorial departments at publications.
He worked as personal design assistant to designer Wolfgang Joop, the founder of the fashion and cosmetics company JOOP! at his berlin based luxury label WUNDERKIND for one year, before establishing his own dedicated fashion social media agency, specialising in social media and digital content for fashion brands and companies
A collaborative production between Feed Me Light and Blinkink, directors BRVTVS create a gritty, graphic world that imparts a funky new edge to creative director Jamie Hewlett’s beloved characters. With a unique approach to infusing 2D and 3D animation techniques with illustration and photography, BRVTVS lend their individual aesthetic to the most iconic virtual band in history.
Clever design is often about clear message and minimum visual efforts, what is a rare pair in creative world. A good combination of that makes viewer “read” the idea and enrich it with their own understanding leaving confusion behind. Here is a package for Hair Cosmetics made by Belarus designer Edgar Kirei in collaboration with Polina Ivanova
Designed by Diller Scofidio + Renfro, The Tide includes a network of parks and spaces along a flowing pathway that follows the Thames. In collaboration with Droga5, the kinetic logo mark was designed, iterated and perfected to represent the variety of ways in which the location can be experienced while maintaining its free-flowing and liquid nature.
Agency: Droga5
Creative Director: Chris Chapman
Lead Designer: Stephanie Mcardle
Producer: Monika Andexlinger
Lead CGI Designer: Bruno Canales
Animation: CREA
Ilka & Franz are a German/ Austrian photo & director duo based in London (UK). Their work blurs the lines between portraiture and still life and is often humorous with an unexpected twist. While their unmistakable use of colour is vibrant and bold, their conceptual undertones are often subtle and of child-like naivety. Ilka & Franz draw their inspiration from pop culture, kitsch and surrealism as they put a playful spin on the ordinary. The duo work on editorial and commercial commissions in the UK and abroad.
HONDA commissioned Noelia’s Lozano studio to create some papercrafts animated sets for their Summer Special campaign. “All based on the first time doing something with your Honda Car, in this case we had the task to focus on the new Honda Civic shiny red car. So all the compositions and stories move around this baby hero.” - shares Noelia on Behance
A fashion photography and video production company TGImage based in Shanghai, China, shares their latest commercial photoshoots made for leading editorials
“A Mach unit characterizes flight speed compared to the speed of sound. We use the Mach unit to characterize our graphics.”
While reviewing @CiclopeFestival winners we found this gem. A short story of our zoomers life… #stepoutofyourhead
Gianmaria Schonlieb is a multidisciplinary Creative Director with extensive experience in advertising and art direction.
“I like to focus on simple moments. Advertising is something that we don’t really need in life, so I have always loved to focus on small moments, objects, and little things that are often overlooked but that can make you crack a smile.”
DISCO is a short film from South African casting agency, DISCO, showcasing in a superb way, what’s happening in the strange and wonderful world of casting direction…
“In casting, our world is a theatre of the unseen. We live behind the curtain. This is a celebration of the casting arena in all of its intimate awkwardness, secrecy and flashes of flamboyance, where we delight in the unruliness of human beings.
As casting directors we present a fantasy version of how a story can be told. For the film, we stepped into that fantasy by reimagining and reenacting the jobs we’ve been asked to cast on. We dreamt up the roles these characters would go on to play in our ideal world. It was about casting ourselves as the audience, letting go and learning about who we are. The films show us how we see the world.
Good casting direction is presenting the unexpected and making it work. A lot of the magic of our trade is conjured by happy accidents, surprises and mischief. The imperfections, the intimate off-screen moments before and between a session, the mistakes and blemishes – these are the things that enliven our work.”
During two weeks in March hundreds of Clear Channel’s digital billboards in Stockholm’s Metro were transformed into a digital art exhibition where 6 artists were asked to create a piece that would portray a unique positive feeling. The art was then triggered by people's real-time emotions — through analyzing the current mood of the citizens and their use of social media throughout the day. The aim was to help people feel happier and less stressed whilst commuting.
Motion designer Jesper Lindborg was tasked to portray the feeling of being safe. “The aim was to set a familiar yet abstract tone, using tactile objects and materials. The piece is divided into 3 sections; soft bodies, foam and cloth. Each represents different layers of protection however, all share the same caring and comforting aspect. The marble statue is not only a link that illustrates the fragile and beautiful but is also humanizing and identifiable.”
The resident of our platform @digital.decade glitch artists Giacomo Carmagnola was recently commissioned by @Burberry to create their latest campaign for Burberry Monogram collection
Snask set out to create seven never-seen-before worlds, which would further define Klarna’s recent design leap and speak to the brand’s uniquely “smoooth” offerings. Under our creative direction, an all-star team was assembled, including the collaborative studio Sing-Sing and Diktator.
“Together, we developed curious and curiouser scenarios to communicate one overarching “smoooth” message through original still photography and film. Klarna handles transactions all over the world in various categories, including sports, travel, beauty, fashion, home interior, and electronics”
Aaron Brimhall was commissioned by META, motorcycling apparel to create a visual story for their latest campaign
“Whether it is dreaming of the mystifying heavenly bodies looming above, experiencing otherworldly terrain here on Earth, or revealing the inner demons hiding deep within oneself, seeking the undiscovered is not for the faint of heart. Delving into those varying degrees of the unexplored, a lone traveler embarks on a quest accompanied only by her motorcycle and imagination. This terrestrial rocketeer will look, listen, and touch in order to obtain a more profound perspective on her place in the universe as she embarks on a personal adventure into the unknown.”
Art Directors Club (@ADC_Germany) invited talented CG Artist Mark Gmehling to illustrate their German edition of festival went this days in Hamburg
“At the ADC Festival, excellent creativity is being celebrated, promoted and honored. The festival speakers, the ADC members, the creatives who submit their work combine the passion and the uncomprising believe in excellent communication. In the end it’s all about worship and adoration of the best ideas which has a truly religious dimension and makes the ADC Festival the church congress of the communications industry.
Out of this my basic idea derives. Let’s impersonate the seven dogmas of the ADC Manifesto in the form of gods that represent the demands of the manifesto. An idea has to meet the requirements of all seven gods to achieve excellence. The illustrated gods are the entitlements, we, as creatives, feel loyal to, they’re the gods we adore and dedicate our lifes to.”
Moscow-based Suprematika agency (lead by Vova Lifanov) created a concept rebranding for leading bakery of Saint Petersburg - @BUSHE.Bakery. The message of campaign - a word play “Eat Real - There is Now” which has same meaning in Russian “Есть Настоящее” was wrapped in the visual flow of food forms and urban patterns, found only in StPete. This work has recently won “Graphite Pencil” at D&AD 2019 - the 20th pencil ever awarded for Russia (@D_and_AD).